Guitar Pickup DiMarzio New Tron Neck Humbucker Pickup, Gold Cover, Cream Insert DP291GCR
£132.99 Inc. Vat
DiMarzio New’Tron, Neck Pickup, Standard Spaced, Gold Cover, Cream Insert
The classic Filter’Tron sound resides somewhere between a Gibson ES-335 and a Fender Telecaster on the guitar tone spectrum. These hum-canceling pickups were designed by Ray Butts in the mid-50s, with input and direction from Chet Atkins for the Gretsch company. At that time, Atkins was working on an improved version of his signature guitar and voiced concerns about the noise produced by the single-coil pickups in the earlier iterations of his guitars.
The Filter’Tron is similar in its basic design to the Gibson humbucker. It utilises two coils to generate the output and cancels unwanted noise when the coils are connected in series (Gretsch patent no. 2892371).
By the early 60s, this combination quickly became the choice for Rockabilly guitar players, and the sound of this pickup became the go-to sound for George Harrison on many of the Beatles’ early recordings.
DiMarzio’s New’Tron is our modern take on a Filter’tron-style pickup and is a direct size replacement. It is not a clone of a vintage Filter’Tron but rather a modern twist, capturing the best characteristics of this great guitar tone and enhancing them. The top-end response is dynamic but not overly bright, with just the right amount of presence and twang. The midrange has a unique growl and bite, especially when used with digital modeling amps and distortion, and the low end is consistently tight and punchy without becoming muddy. Altogether, the DiMarzio New’Tron Neck is a versatile pickup perfect for anything from clear, chiming cleans to a snarling Rockabilly edge.
Available to order from supplier
Product is available from supplier, please contact us for a delivery estimate
Reduce the cost of this product by part exchanging your unwanted items
DiMarzio New’Tron, Neck Pickup, Standard Spaced, Gold Cover, Cream Insert
The classic Filter’Tron sound resides somewhere between a Gibson ES-335 and a Fender Telecaster on the guitar tone spectrum. These hum-canceling pickups were designed by Ray Butts in the mid-50s, with input and direction from Chet Atkins for the Gretsch company. At that time, Atkins was working on an improved version of his signature guitar and voiced concerns about the noise produced by the single-coil pickups in the earlier iterations of his guitars.
The Filter’Tron is similar in its basic design to the Gibson humbucker. It utilises two coils to generate the output and cancels unwanted noise when the coils are connected in series (Gretsch patent no. 2892371).
By the early 60s, this combination quickly became the choice for Rockabilly guitar players, and the sound of this pickup became the go-to sound for George Harrison on many of the Beatles’ early recordings.
DiMarzio’s New’Tron is our modern take on a Filter’tron-style pickup and is a direct size replacement. It is not a clone of a vintage Filter’Tron but rather a modern twist, capturing the best characteristics of this great guitar tone and enhancing them. The top-end response is dynamic but not overly bright, with just the right amount of presence and twang. The midrange has a unique growl and bite, especially when used with digital modeling amps and distortion, and the low end is consistently tight and punchy without becoming muddy. Altogether, the DiMarzio New’Tron Neck is a versatile pickup perfect for anything from clear, chiming cleans to a snarling Rockabilly edge.
| Weight | 0.3 kg |
|---|
Only logged in customers who have purchased this product may leave a review.
Related products
DiMarzio Crunch Lab Humbucker Guitar Pickup DP228 FBK
Crunch Lab
Part Number: DP228 FBK
One thing has stayed consistent throughout John Petrucci’s long and successful career: the DiMarzio pickups in his guitars. John has been pushing the envelope of progressive metal since the late eighties, and the new DiMarzio Crunch Lab Bridge Model ensued from our most recent collaboration with John. He used it throughout Dream Theater’s tenth studio album, “Black Clouds & Silver Linings". John swears this is the best live and studio sound he has ever had, and the name says it all — “crunch" is what it’s all about with a big, tight sound that’s neither muddy nor thin.
Specs
Wiring: 4 Conductor
Magnet: Ceramic
Output mV: 410
DC Resistance: 11.03 Kohm
Year of Introduction: 2009
DiMarzio Evolution Neck Humbucker Guitar Pickup DP158 BK
Evolution Neck
DP158 BK
The Evolution Neck and Bridge humbuckers are the result of two years of research to come up with the right sound for a very demanding player: Steve Vai and his Ibanez Jems. Both pickups are designed for maximum impact and power. The neck pickup is fat, punchy and loud. The bridge pickup is tight, aggressive and louder. Both pickups have our patented dual-resonance configuration to reproduce more harmonic overtones than conventional humbuckers. Evolution pickups are not polite-sounding, and they’re not for the inexperienced, but – if you’ve got the chops and a hot amp – your sound will burn. The Evolution pickups were originally designed with live gigs in mind, but they have so much presence and definition that they’re great recording pickups, too; they slice right through even the densest mix.
Dimarzio ISCV2 Steve Vai Evolution Single Coil Middle Pickup Black ISCV2BK
The DiMarzio ISCV2 Evolution Single Coil Pickup is specifically designed for use with DiMarzio Evolution Neck and Bridge models in a wiring configuration made popular by Steve Vai.
When the 5-way switch is in the 1 or 5 position, you hear the neck or bridge humbucker. When played in the 2 or 4 position, the middle single-coil combines in parallel with one coil of either humbucker and produces a distinctive tone with hum cancellation. The middle (3) position gives a true single coil sound which is not hum canceling and is not like an Evolution humbucker.
DiMarzio Paf Joe Neck Joe Satriani Guitar Pickup DP213BK
PAF Joe
DP213
The PAF Joe is the latest neck pickup we developed for Joe Satriani. Joe wanted a neck position humbucker that combined the best qualities of the PAF Pro with those of a late 50s Gibson humbucker. Joe describes this tone as being “tubular”. Through the use of Virtual Vintage technology, clear-sounding low frequencies are blended with warm-sounding mids and high frequencies, which makes the PAF Joe equally good for chords and single notes. Joe first used it throughout the 2003
DiMarzio Paf Pro Humbucker Guitar F-Spaced Pickup DP151FBK
PAF Pro
DP151
The PAF Pro was created when chops-intensive playing was first starting to happen, and high-gain amps and rack systems were becoming popular. A pickup was needed that combined a lot of presence and “cut" with an open-sounding PAF vibe. The transparency of its sound lets the PAF Pro slice through heavy processing, where darker-sounding pickups get lost in the mud of the effects chain. Low notes have both snap and chunk, and there is a spike in the mid-range that gives the pickup a subtle “aw" vowel sound, like a wah-wah pedal stopped in the middle. Treble response is tweaked to produce highs that stand out without getting brittle. The PAF Pro makes an outstanding neck pickup in almost any guitar, and it’s an exceptional bridge pickup when high output isn’t required.
DiMarzio Paf Pro Humbucker Guitar Pickup DP151PK PINK
PAF Pro
DP151
The PAF Pro was created when chops-intensive playing was first starting to happen, and high-gain amps and rack systems were becoming popular. A pickup was needed that combined a lot of presence and “cut" with an open-sounding PAF vibe. The transparency of its sound lets the PAF Pro slice through heavy processing, where darker-sounding pickups get lost in the mud of the effects chain. Low notes have both snap and chunk, and there is a spike in the mid-range that gives the pickup a subtle “aw" vowel sound, like a wah-wah pedal stopped in the middle. Treble response is tweaked to produce highs that stand out without getting brittle. The PAF Pro® makes an outstanding neck pickup in almost any guitar, and it’s an exceptional bridge pickup when high output isn’t required.
Colour: PINK
DiMarzio Super Distortion Humbucker Guitar Pickup DP100CR
Super Distortion
Part Number: DP100 CR
This pickup started a sound revolution. Replacement pickups simply didn’t exist before the invention of the Super Distortion in the early Seventies. The Super Distortion (and its original 3-conductor version, the Dual Sound was the first pickup specifically designed to kick a tube amp into total overdrive, and is still the standard by which all other high-output pickups are measured. The Super Distortion has a perfect blend of power and tone: both single-notes and chords jump out of the amp and fill the room (or the track) with a wall of sound. The balance of tones is classic — thick, boosted mids, big lows and fat highs. This is the sound you’ve heard for over three decades on platinum records, from players as varied as Ace Frehley, Al Di Meola, and Paul Gilbert. It’s also versatile: 4-conductor wiring allows instant access to Strat-like split and series-parallel modes. Discover what thousands of great players know: the Super Distortion is the best all ’round high-power pickup ever made.
Specs
Wiring: 4 Conductor
Magnet: Ceramic
Output mV: 425
DC Resistance: 13.68 Kohm
Year of Introduction: 1972


Reviews
There are no reviews yet.