Injector Neck


DP422


We first heard about Paul Gilbert in the 1980s. Billy Sheehan told us about an amazing 18-year-old who had recently arrived in California and had blown everyone away with his musicianship, speed, and awesome technical ability in Racer X. Naturally, we immediately asked Paul to become a DiMarzio endorser. It was the start of a great relationship.
Recently, Paul has been heavily into our Area™ pickups. He’s also been playing a lot of Racer X-style instrumentals, so the time was right for signature Paul Gilbert single-coil sized DiMarzio pickups. The outcome of our teamwork are the new Injector Neck and Bridge Model pickups. You can hear them on Paul’s latest CD, “Fuzz Universe".

LiquiFire

DP227
One thing has stayed consistent throughout John Petrucci’s long and successful career: the DiMarzio pickups in his guitars. John has been pushing the envelope of progressive metal since the late eighties, and the DiMarzio LiquiFire Neck Model resulted from our most recent collaboration with John. He used it throughout Dream Theater’s tenth studio album, "Black Clouds & Silver Linings". John swears this is the best live and studio sound he has ever had. He wanted a neck pickup with a flowing, singing solo tone when used with a heavily overdriven amp and a clear chord sound with a clean amp setting.

PAF Pro

DP151
The PAF Pro was created when chops-intensive playing was first starting to happen, and high-gain amps and rack systems were becoming popular. A pickup was needed that combined a lot of presence and “cut" with an open-sounding PAF vibe. The transparency of its sound lets the PAF Pro slice through heavy processing, where darker-sounding pickups get lost in the mud of the effects chain. Low notes have both snap and chunk, and there is a spike in the mid-range that gives the pickup a subtle “aw" vowel sound, like a wah-wah pedal stopped in the middle. Treble response is tweaked to produce highs that stand out without getting brittle. The PAF Pro makes an outstanding neck pickup in almost any guitar, and it’s an exceptional bridge pickup when high output isn’t required.

Super Distortion

Part Number: DP100 BK

This pickup started a sound revolution. Replacement pickups simply didn’t exist before the invention of the Super Distortion in the early Seventies. The Super Distortion (and its original 3-conductor version, the Dual Sound was the first pickup specifically designed to kick a tube amp into total overdrive, and is still the standard by which all other high-output pickups are measured. The Super Distortion has a perfect blend of power and tone: both single-notes and chords jump out of the amp and fill the room (or the track) with a wall of sound. The balance of tones is classic — thick, boosted mids, big lows and fat highs. This is the sound you’ve heard for over three decades on platinum records, from players as varied as Ace Frehley, Al Di Meola, and Paul Gilbert. It’s also versatile: 4-conductor wiring allows instant access to Strat®-like split and series-parallel modes. Discover what thousands of great players know: the Super Distortion® is the best all ’round high-power pickup ever made.

Specs

Wiring: 4 Conductor
Magnet: Ceramic
Output mV: 425
DC Resistance: 13.68 Kohm
Year of Introduction: 1972