Electric And acoustic guitar pickups by DiMarzio
DiMarzio 36th Anniversary Humbucker Black & Cream Guitar Pickup DP103BC
PAF 36th Anniversary
DP103BC Black + Cream
Here are the characteristics that make a great vintage humbucker: a soft magnetic field, sweet tone, perfect balance between warmth and clarity, the ability to go from clean to distorted by pick attack alone. For our PAF 36th Anniversary Neck we wanted to continue in the path of pioneers such as Seth Lover (designer of the original Patent Applied For humbucker) and create pickups that combine all of the characteristics of great vintage humbuckers. These pickups are not merely clones. We re-engineered the PAF® using our patented technology and Larry DiMarzio’s own 1959 cherry sunburst Gibson® Les Paul as the reference. Larry’s Gibson Les Paul has a uniquely amazing sound and it’s not only due to the pickups — it’s the total fusion of many elements of the guitar itself. Although the pickups have a weak magnetic field, the sound is well defined: almost like a single-coil. We duplicated the weaker magnetic field in order to allow the strings to vibrate longer, as well as focus and articulate the attack and output. We use computer-controlled winders to consistently layer the 42-gauge custom-coated wire, achieving the exact frequency response we want. Then it’s dipped in our custom formula to eliminate squeal and microphonics. The cover is made from nickel-silver and our new plating makes it more magnetically transparent than the originals. The PAF 36th Anniversary Neck is smooth but not muddy. It performs equally well in the neck or bridge, just as the best humbuckers from the 50s did. We’ll build the PAF 36th Anniversary any way you want it. Choose the bobbin style — vintage glossy or modern matte, the type of base — traditional, long-legged or standard, short-legged, and the type of cable — vintage single-conductor or 4-conductor. The PAF 36th Anniversary Neck is available uncovered, and we also offer three types of covers: standard polished and plated, buffed with no plating, and our vintage worn cover that looks so authentic and broken in that you’ll swear it’s been hanging around since 1959.
DiMarzio 36th Anniversary Humbucker Cream Guitar Pickup DP103CR
PAF 36th Anniversary
DP103CR Cream
Here are the characteristics that make a great vintage humbucker: a soft magnetic field, sweet tone, perfect balance between warmth and clarity, the ability to go from clean to distorted by pick attack alone. For our PAF 36th Anniversary Neck we wanted to continue in the path of pioneers such as Seth Lover (designer of the original Patent Applied For humbucker) and create pickups that combine all of the characteristics of great vintage humbuckers. These pickups are not merely clones. We re-engineered the PAF using our patented technology and Larry DiMarzio’s own 1959 cherry sunburst Gibson® Les Paul as the reference. Larry’s Gibson Les Paulhas a uniquely amazing sound and it’s not only due to the pickups — it’s the total fusion of many elements of the guitar itself. Although the pickups have a weak magnetic field, the sound is well defined: almost like a single-coil. We duplicated the weaker magnetic field in order to allow the strings to vibrate longer, as well as focus and articulate the attack and output. We use computer-controlled winders to consistently layer the 42-gauge custom-coated wire, achieving the exact frequency response we want. Then it’s dipped in our custom formula to eliminate squeal and microphonics. The cover is made from nickel-silver and our new plating makes it more magnetically transparent than the originals. The PAF 36th Anniversary Neck is smooth but not muddy. It performs equally well in the neck or bridge, just as the best humbuckers from the 50s did. We’ll build the PAF 36th Anniversary any way you want it. Choose the bobbin style — vintage glossy or modern matte, the type of base — traditional, long-legged or standard, short-legged, and the type of cable — vintage single-conductor or 4-conductor. The PAF 36th Anniversary Neck is available uncovered, and we also offer three types of covers: standard polished and plated, buffed with no plating, and our vintage worn cover that looks so authentic and broken in that you’ll swear it’s been hanging around since 1959.
DiMarzio 36th Anniversary Humbucker F-Spaced Black Cream Guitar Pickup DP223FBC
The PAF: 36th Anniversary Bridge is hotter than the Neck. It is not only for set neck 24" scale guitars, but it's also an excellent bridge pickup for trem-equipped bolt-ons.
DiMarzio Air Norton Guitar Pickup Black DP193BK
Air Norton
DP193
The Air Norton started out simply to be the Airbucker version of the Norton. We thought it would make a distinctive-sounding bridge pickup with high-gain amps, but we soon discovered that it’s a radically neat neck pickup, too. The tone is deep and warm, but not muddy. It’s hot, but not distorted. It’s even got cool harmonics, which are really unusual for a neck humbucker. The patented Air Norton magnetic structure reduces string-pull, so sustain is improved; and pick attack and dynamics are tremendously controllable and expressive. Combine the Air Norton with an Air Zone, The Tone Zone or Steve’s Special in the bridge position for a perfect blend of power and tone, or use an Air Norton in the bridge position with an Air Classic Bridge model in the neck position for a distinctive medium-output blues-rock sound.
DiMarzio Air Norton Guitar Pickup Black F-Spaced DP193FBK
DP193FBK
F-Spaced Version
The Air Norton started out simply to be the Airbucker version of the Norton. We thought it would make a distinctive-sounding bridge pickup with high-gain amps, but we soon discovered that it's a radically neat neck pickup, too. The tone is deep and warm, but not muddy. It's hot, but not distorted. It's even got cool harmonics, which are really unusual for a neck humbucker. The patented Air Norton magnetic structure reduces string-pull, so sustain is improved; and pick attack and dynamics are tremendously controllable and expressive. Combine the Air Norton with an Air Zone, The Tone Zone or Steve's Special in the bridge position for a perfect blend of power and tone, or use an Air Norton in the bridge position with an Air Classic Bridge model in the neck position for a distinctive medium-output blues-rock sound.
DiMarzio Air Norton Strat Guitar Pickup DP180BK
Air Norton S
DP180
The Air Norton S is the Strat replacement version of the full-size Air Norton. It’s warm sounding, very well balanced, and has the same unique tonal characteristics as the original. The original Air Norton wasn’t designed for a specific position or type of guitar, but it has become most popular in the neck position of trem-equipped guitars for progressive music. The S version is also a very good bridge pickup for all types of rock. Its combination of medium output and harmonic bite are very effective for single-note soloing as well as chords.
DiMarzio Air Norton Strat Guitar Pickup White DP180W
Air Norton S
DP180
The Air Norton S is the Strat replacement version of the full-size Air Norton. It’s warm sounding, very well balanced, and has the same unique tonal characteristics as the original. The original Air Norton wasn’t designed for a specific position or type of guitar, but it has become most popular in the neck position of trem-equipped guitars for progressive music. (Thanks, John!) The S version is also a very good bridge pickup for all types of rock. Its combination of medium output and harmonic bite are very effective for single-note soloing as well as chords.
DiMarzio Area 58 Strat Guitar Pickup White DP415W
Area 58
DP415
There are two major differences between a great vintage Strat pickup and an average one: treble response and dynamics. A great pickup is clear and bright, but not thin-sounding. A great one makes the sound jump out of the amp when you pick hard and drop way down when you play softly, and the tone varies when the string is picked at different spots. The best pickup we’ve ever heard like this was from 1958, and that’s what inspired the Area 58, with two major differences. Our pickup has way less magnet pull, and virtually no hum.
DiMarzio Area 67 Strat Humbucker White Guitar Pickup DP419W
Area 67
DP419w
The Monterey Pop Festival of 1967 was a watershed event in American music. When it was over, the world had heard and felt the sound of a Strat in the hands of a master. Single-coils in 1967 were bright and very clean. And, of course, they hummed. We’ve captured the classic bright and clean sound but totally eliminated the hum with our patented Area™ technology. We’ve also reduced magnet pull by 40% for improved sustain and clarity. The Area 67™ has the chime of 60s pickups, and the 2 and 4 positions are light, bright and quack-happy.
DiMarzio Crunch Lab 7 Humbucker Guitar Black Pickup DP708BK
Crunch Lab 7â„¢
DP708BK
One thing has stayed consistent throughout John Petrucci’s long and successful career: the DiMarzio® pickups in his guitars. John has been pushing the envelope of progressive metal since the late eighties, and the new DiMarzio® Crunch Lab 7™ Bridge Model ensued from our most recent collaboration with John. He used it throughout Dream Theater’s tenth studio album, “Black Clouds & Silver Linings". John swears this is the best live and studio sound he has ever had, and the name says it all — “crunch" is what it’s all about with a big, tight sound that’s neither muddy nor thin.
DiMarzio Crunch Lab Humbucker Guitar Pickup DP228 FBK
Crunch Lab
Part Number: DP228 FBK
One thing has stayed consistent throughout John Petrucci’s long and successful career: the DiMarzio pickups in his guitars. John has been pushing the envelope of progressive metal since the late eighties, and the new DiMarzio Crunch Lab Bridge Model ensued from our most recent collaboration with John. He used it throughout Dream Theater’s tenth studio album, “Black Clouds & Silver Linings". John swears this is the best live and studio sound he has ever had, and the name says it all — “crunch" is what it’s all about with a big, tight sound that’s neither muddy nor thin.
Specs
Wiring: 4 Conductor
Magnet: Ceramic
Output mV: 410
DC Resistance: 11.03 Kohm
Year of Introduction: 2009
DiMarzio Crunch Lab Humbucker Guitar Pickup DP228BK
Crunch Lab
DP228BK
One thing has stayed consistent throughout John Petrucci’s long and successful career: the DiMarzio pickups in his guitars. John has been pushing the envelope of progressive metal since the late eighties, and the new DiMarzio Crunch Lab Bridge Model ensued from our most recent collaboration with John. He used it throughout Dream Theater’s tenth studio album, “Black Clouds & Silver Linings". John swears this is the best live and studio sound he has ever had, and the name says it all — “crunch" is what it’s all about with a big, tight sound that’s neither muddy nor thin.