Guitar Overdrive Pedal Tom Morello Jim Dunlop MXR Power 50 TBM1
£157.99 Inc. Vat
For more than 30 years, the key component of Tom Morello’s raw, hard-hitting sonic voice has been his amp setup. The MXR Power 50 Overdrive captures the sound and functionality of that setup for use with any rig, whether you have a simple combo amp or a high-end custom stack. Basic Operation 1. Run a cable from your guitar to the TBM1’s INPUT jack and run another cable from the TBM1’s OUTPUT jack to your amplifier. If using the effects loop, run a cable from the TBM1’s SEND jack to the input of the first pedal in your loop. Run another cable from the output of the last pedal in your loop to the TBM1’s RETURN jack. Note: effects loop signal is only active while TBM1 is engaged.
1 in stock
For more than 30 years, the key component of Tom Morello’s raw, hard-hitting sonic voice has been his amp setup. The MXR Power 50 Overdrive captures the sound and functionality of that setup for use with any rig, whether you have a simple combo amp or a high-end custom stack.
Basic Operation
1. Run a cable from your guitar to the TBM1’s INPUT jack and run another cable from the TBM1’s OUTPUT jack to your amplifier. If using the effects loop, run a cable from the TBM1’s SEND jack to the input of the first pedal in your loop. Run another cable from the output of the last pedal in your loop to the TBM1’s RETURN jack. Note: effects loop signal is only active while TBM1 is engaged.
2. Start with all controls at 12 o’clock.
3. Turn the effect on by depressing the EFFECT
footswitch.
4. Rotate VOLUME knobl clockwise to increase effect volume or counterclockwise to decrease it.
5. Rotate BASS knob clockwise to boost low end frequencies of pre-effects loop signal or counterclockwise to cut them.
6. Rotate MID knob clockwise to boost midrange frequencies of pre-effects loop signal or counterclockwise to cut them.
7. Rotate TREBLE knob clockwise to boost high end frequencies of pre-effects loop signal or counterclockwise to cut them.
8. Rotate GAIN knob clockwise to increase intensity of overdrive or counterclockwise.
9. Rotate the PRESENCE knob clockwise to boost overall high-end frequencies or counterclockwise to cut them.
10. If you have the TBM95 Cry Baby Tom Morello
Wah, place it into the FX loop to recreate Tom’s tonally balanced and aggressive vocal wah sweeps. Placing the TBM95 before the TBM1 will produce a subtle wah effect, while placing the TBM95 after the TBM1 will create a treble-focused toe-down wah response.
Power
The MXR Tom Morello Power 50TM Overdrive is powered by one 9-volt battery (accessible via battery door on bottom plate), a 9-volt AC adapter such as the Dunlop ECB003/ECB003EU, or an MXR BrickTM Series power supply.
| Weight | 2 kg |
|---|
Only logged in customers who have purchased this product may leave a review.
Related products
Electric Guitar Pedal Deep Phase Jim Dunlop MXR M279
The MXR Deep Phase Pedal delivers uniquely expressive vintage phaser tones with the impeccable build quality and tweakabiity that MXR is famous for. From smooth and subtle to turbulent and intense. With just two knobs and a switch, the Deep Phase Pedal offers a wide range of phase tones, from subtle liquid shifting to thick, swirling turbulence
Jim Dunlop MXR Classic 108 Fuzz Mini Guitar Effects Pedal JD-M296
Now in an MXR mini housing, the Classic 108 Fuzz gives you all the same vintage fuzz tones in a much smaller footprint. Like its larger predecessor, it’s loaded with the silicon BC-108 transistor for a round and dirty crunch. This Classic 108 Fuzz also has the same no-nonsense control interface—just crank the Volume and Fuzz controls to your liking and start riffing. Use the Buffer switch on the side to make the fuzz play nice with wah pedals.
MXR CLASSIC 108 FUZZ (MINI)
M296
Jim Dunlop MXR Distortion 3 Guitar Effects Pedal JD-M115
Distortion III
M115
Delivers everything from overdrive to distortion.
Natural, amp-like distortion.
Retains your guitar’s tone and clarity.
Distortion III Info
The Distortion III sets a new benchmark in distortion tone and quality. Developed from the ground up using carefully selected components, the D-III delivers everything from sweet singing overdrive to massive distortion crunch! Its natural and amp-like distortion is versatile enough to appeal to any playing style and transparent enough to let your guitar’s personality shine through.
Jim Dunlop MXR Double-Double Overdrive Guitar Effects Pedal JD-M250
Two Overdrives in One Unit
This versatile pedal features both a low gain and a high gain. Whilst using the low gain feature, you can expect to achieve a classic Japanese style overdrive, that is mid focused. The additional bass and treble control knobs are a unique edition, unlike similar products on the market that only offer one tone knob. The high gain feature provides you with an American boutique style that is not only Asymmetrical, but also emphasises highs and lows.
Jim Dunlop MXR FOD Drive Electric Guitar Pedal JD-M251
The MXR FOD Drive supplies the overdriven power of two highly coveted amp stacks in a single housing. Pros and tone chasers have been combining amplifiers on stage and in the studio for years, blending their sounds together and opening up new tonal palettes for exploration. Thanks to MXR’s award-winning team of engineers, you can recreate that experience right from your pedalboard.
Jim Dunlop MXR Sub Machine Octave Fuzz Guitar Effects Pedal JD-M225
The Sub Machine Fuzz kicks open the door to epic and unbridled sonic exploration. This mean little box combines the shaggy vintage tones of the La Machine Fuzz with a growling sub octave circuit, giving you a one way ticket to the sonic frontiers of heavy.
Specification
The Sub Machine Fuzz features the La Machine Fuzz’s circuitry and all of its functions-from its Volume, Tone, and Fuzz controls to its electrifying octave up mode.-but it’s also got an old school sub octave circuit with its own level control, so you can dial in just the right mix of fuzz and sub octave signals.
Reviews
There are no reviews yet.